Traveling to Chicago in the winter you expect snow, ice, and bitter gray skies. We had mild temperatures and lots of sunshine! One day at Half Price Books, I picked up the UK Granta edition of Elif Batuman’s The Possessed, and also a copy of Franz Kafka’s Paradoxes and Parables, in the 1961 Shocken paperback edition. I noticed an old card and folded piece of paper in the Kafka, which I thought deserved further research. To my amazement, I found tucked into the Kafka book two bits of New York beatnik history! First, there was a folded flyer for a performance at Caffe Cino, the famous alternate theatre run by Joe Cino at 31 Cornelia Street. Caffe Cino Flyer - May 20th 1962 Joe Cino (1931-1967), originally from Buffalo, New York, opened the cafe theatre in 1958, creating what is now considered to be the first off off Broadway theatre in New York. The venue, which had no real license to be used as a theatre, was always in trouble with the law, and somehow survived by running impromptu events with no publicized schedule. Finding this actual flyer for a performance at Caffe Cino, was intriguing. The director of the two Ionesco pieces was Roberta Sklar, who apparently was the co-director of Jean-Claude Van Italie’s 1968 production of “THE SERPENT.” There is a video documentary about this play on Youtube in three parts: 1 2 3 The performers at Caffe Cino that night were Rob Reigler and A. J. Reigler, and the lighting was by Louis Torrey. Was that Louis Torrey any relation to John Torrey, Joe Cino’s lover, who some suspect was responsible for the 1965 fire that nearly destroyed the theatre? Well, a lot of these details are no doubt lost to history, but it is still amusing to find tid-bits like this floating up from the memory well. The other amazing find in this copy of Kafka’s Parables and Paradoxes, was an original “discount card” from Limelight Bookshop!
Reading Famous Long Ago, My Life and Hard Times with Liberation News Service brings to mind the fact that struggle is never finished. Yes, we need to have some hope, we need to stand up and cheer every day when another decent, humanizing, and reasonable executive order is delivered by the Obama White House… and yet, we also have to remember that there is a reason why we still need change in the first place. The memoir by the unlikely hero, Raymond Mungo, and the ghost of his alter-ego, Marshall Bloom, is riddled with the brazen and ridiculous posturing of green college grads and their acid-dropping cohorts who are hell-bent on saving the world. And yet, it is also true to itself, to its own ingenuity, self-deceptions, and aspirations. In a way, their self-determination to create the alternate news service, the non-lapdog, non-suckup, non-yesMan, non-corporate shill news service; where independent bylines gathered together under a loose umbrella called freedom of speech and freedom of the press, was noble indeed.
Only by chance did I notice that Lloyd Dangle, cartoonist and creator of Troubletown, is currently tramping across America on a 20th Anniversary Book Tour, celebrating two decades of ceaseless trouble! How can it be that most people know Dangle only because of his Airborne packages, and not for his amazing comics?