Watching the Republicans flail around in psychotic convulsions at the CPAC finally seemed to have convinced some Americans of what I have observed for most of my life, namely that the GOP is the party of the criminally insane. The recent bile-spewings of Rush Limbaugh and Alan Keyes, are nothing new. It is rather sick to watch, though, as if we are viewing the inside workings of a really lunatic fringe cult, played out live on national t.v. There are more than a few sociological parallels to the cult that figures in the book I just finished, _Imaginary Friends_ (1967), by Alison Lurie.
Who was R.T. Gault? As the editor of numerous websites on a range of subjects from literature to magic and the occult, Gault’s work became a magnet to seekers of esoteric literature. Gault’s essays and photographic galleries on the Tarot, Arthur Machen, and the Order of the Golden Dawn were extensions of his most ambitious work entitled Absolute Elsewhere, which was nothing less than a master list of all the visionary, esoteric and fringe works published in America during the second half of the 20th Century. Although extensive, Gault’s bibliography is not exhaustive — the works he selected and arranged in a year-by-year chronology and in order of their appearance — were carefully chosen and arranged. When viewed in sequence, the works capture an intriguing hidden history of American letters. Like a spider weaving an invisible web, Gault created a tapestry of strange, mind-bending, and mystical ideas, at once recognizable to those who have read the books being cited, and at the same time serving as a guide for newcomers. But who was R.T. Gault, anyway? No sooner had I become a casual addict of his website, Absolute Elsewhere, did the site vanish. After months of digging, I could find no information about R.T. Gault, and more than a year elapsed before I discovered that Gault was desceased. At that time, my attempts to find someone who knew R.T. Gault were fruitless, leading only to an obscure reference to Centaur Books and Comics in Tullahoma, Tennessee. Eventually, I decided to post my reconstruction of the _Absolute Elsewhere_ website, which I launched on New Year’s day 2010. Subsequently, I began to receive enthusiastic thank you emails from readers who had lost track of Absolute Elsewhere and were happy to see it back online. One of these messages came from Karen Price, who was married to R.T. Gault. It was a great to finally have a tangible lead to the mysterious editor of Absolute Elsewhere! Even better, Karen graciously agreed to conduct a wide-ranging interview on the Life and Times of R.T. Gault, which you can listen to or download here: an interview with Karen Price (May 2012) [37:37] http://www.yunchtime.net/podcast/KarenPrice_20120524.mp3 Richard Thomas Gault was known to most of his friends as “Ditch” Gault. He grew up around Indiana, Pennsylvania where his father, Thomas Gower Gault, was a Professor, and also served as Chair of the Geography Department at Indiana University of Pennsylvania. Ditch Gault was a true rennaissance man, surrounded by books, and he was an eternal student, having racked up college courses on every subject in the humanities for more than a decade without ever having earned a degree in any subject. In the 60s he was an enthusiastic member of the counter-culture at the University, and became obsessed with politics.
Repost of Dark Knight Review (originally published July 2008) If you haven’t yet seen the film, Dark Knight, please do that first before reading this post, because you will definitely spoil the “tension” of the plot, assuming there is any. For some reason this film is a runaway hit, with critics pissing all over themselves to outpraise each other. From my perspective, despite some excellent cinematography and a stellar performance by Heath Ledger as the Joker, it is really just another Batman movie, but with a troubling dichotomy at its core that is getting scant attention. There are clearly two very conflicted subtexts in the film, one centered on Batman and the other on the Joker. Batman’s supposed internal conflict we are all familiar with — having to take the law into his own hands in order to fight evil — dating back to his first appearance in Detective Comics #37; on the other hand, unlike the ridiculous slapstick Joker that Burton and Nicholson gave us, Ledger pushes his exploration of the Joker’s mercurial psychology into whole new realms of uncharted territory.