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Time Travel in Paris

Painting (c) Todd Schorr Lisa Goldstein’s first novel, The Red Magician, won the National Book Award in 1983, in the category for “original paperback novel.” Strangely that is the only year that c

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Making the right turn at the Equinox

Body painting by Emma Hack, inspired by Tretchikoff’s drawing The Equinox is upon is, and what a strange one! If you are feeling a little punch-drunk, spun thin on the web of craziness that passe

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Yunchtime Goes Hexo

Well, as much as I love WordPress, I finally got tired with the updates and the response times when the shared hosting MySQL instances got bogged down. Since I’ve been moving away from CMS in general

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Reyes Cárdenas and the Moons of Mars

Recently I checked out a copy of Altermundos, Latin@ Speculative Literature and Popular Culture from the library. It contains many fascinating and important essays on the history and current state o

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The mystique of Keleck

My first taste of any artwork associated with Keleck (aka Kelek), was at Boskone this year, where Andy Gelas brought my attention to two French paperback editions of Conan. These were Conan Le Guerrier, and Conan Le Cimmerian, in the Titres SF editions from the early 1980s. Needless to say, the eye-popping contrast in red and black, and the the purity of design in these covers hit me like a sucker-punch in a Philip Marlowe story.   Le Cimmerian has a pure movie-poster effect, with that smashing red background, and the bare skin of the figures has a smooth air-brushed look, while the tightly delineated designs on the metal are all perfectly highlighted. The first thing I noticed about Le Guerrier is the darkness of the figure, of the rich draperies, of the stairwell vanishing into shadow. The hair is certainly done the same way as Le Cimmerian: frizzy threads in direct highlight against the background. But in Le Guerrier, the eyes, the skin, the deliberate brushstrokes on the wall, and the marble steps; they have a very different aesthetic from the super-slick air-brushing of Le Cimmerian. What is going on here?